bracket exposures, like you would for film, and take notes if that is your sort of thing. paper negative. They are now used extensively - notably for inexpensive professional portraiture and for other types of work in which their low cost is especially advantageous.
The other is the surface of the photographic paper.

To make a print, the paper negative is laid on top of a sheet of enlarging paper, emulsion to emulsion. This is about the most primitive photography you can do without going to glass plates or tintypes.The people got the original prints and these are scans of the paper negatives that I kept. This is a fantastic, creative and highly enjoyable technique which offers many options for creating highly distinctive images. 'Reflected-light printer' Alongside is an illustration of a reflected light printer for paper negatives. The size of the print can be varied by adjusting the … The enlarger was used as the light source. This workshop explores the paper negative technique. Unique Silver Gelatin Print / 5x4 or 10x8 / Unique print. The video below shows the … One, already discussed, is the texture of the paper negative.
The light shines through the paper negative and exposes the enlarging paper.To keep the negative and paper in close contact, I use a wooden 8x10 contact frame. as a point of reference, regular photo paper typically has a iso ( asa ) relative to film about 6, sometimes as high as 25 if you plan on shooting paper negatives, its best to do exposure tests . They were all processed and contact printed in a dark tent in the middle of the horse pasture. RC paper does work in an enlarger but I found the printing times to be a bit on the long side.

These were all shot with a 9x12 Maximar on paper negatives. Kentmere Art Classic, a silver rich fibre paper with a heavy textured surface is my favourite. For pinhole cameras that are going to be using paper as the negatives, I typically use either Arista Edu.Ultra (made by Foma) VC or grade 2. I have found that a heavy art type paper renders good prints from paper negatives. Pre-flashing the paper gives is a bit of a boost. By this method paper negatives have become suitable for a wide range of photographic purposes. In both cases, a good baseline for the ISO is about 8.

The paper negative is developed like any print photograph, but you will have a negative image instead of a positive. Black and white paper is generally used and is easier to expose, but some color paper negatives have been produced with solid results. One final note, fiber papers are also great for negatives because you can use a pencil on the back side to do a little dodging, you can get single weights (but brandname escapes me at the moment) and you can wax or oil them to help increase the transparency.