The tragic hero has a noble stature and a high position in his culture . The tragic hero has a noble stature and a high position in his culture He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. Othello fits all of the criteria of a tragic hero that Aristotle outlined in his work, "Poetics" According to Aristotle: .
The question remains: Is Othello a tragic hero?
Othello, a Hero of Passion Introduction Caught somewhere between a glorious and the tragic hero, Othello is one of the most controversial characters of Shakespeare who moved the imagination of millions of readers worldwide. Othello had everything to become a … In William Shakespeare’s Othello, jealousy is a central theme and tragic flaw possessed by the main characters Iago, Othello, and Roderigo. In Shakespearean literature, the tragic hero must possess a tragic flaw. Introduction The play Othello, the Moor of Venice is a tragedy with Othello as the tragic hero. Othello is character created by Shakespeare that “fulfils the conditions and requirements of a tragic hero (Bhattacharyya 123). In William Shakespeare’s Othello, Othello is the tragic hero. The story revolves around its two central characters: Othello, a Moorish general in the Venetian army, and his treacherous ensign, Iago. These negative aspects of jealousy are present in Shakespeare’s tragic hero Othello, and was the cause of his ultimate downfall. The tragedy of Othello …
To Trust or Not to Trust William Shakespeare's 1603 tragedy, Othello , remains one of the most important and debated plays in all of English literature. The question remains: Is Othello a tragic hero? Comparative Essay – Othello/Macbeth Tragic Heroes Unit 1: ‘Many critics have argued that Othello is not a true Shakespearean tragic hero.Explore the idea that Shakespeare intended to make Othello fit the criteria of his tragic hero with comparison to Macbeth.’. Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in 1603.It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio (a disciple of Boccaccio's), first published in 1565. This view point is supported in Professor Crawford’s article “Othello as a Tragic Hero.” In his article, Crawford conveys the idea that the misfortunes that befall Othello are cause because of Othello himself – drama of character – not by Iago or any outside social forces – drama of intrigue. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. Othello, in marked contrast, is kept at a distance from us by Shakespeare, who denies his tragic protagonist the profound rapport with the audience that Hamlet and Macbeth forge through their soliloquies.